You wouldn’t know it, watching his joyously bonkers new movie Bugonia, but Yorgos Lanthimos is tired. His latest “comes at a point where I’ve made a lot of films, and
Jesse Plemons
… isn’t nearly as good as Lanthimos’s The Favourite or The Killing of a Sacred Deer. Both had such masterful visual style combined with purity of intent. This is looser
“Oh shit!” Jim Jarmusch said, clearly stunned, as he received The Venice Film Festival’s top honour, The Golden Lion, for Father Mother Sister Brother, a triptych that features Cate Blanchett,
Jesse Plemons and newcomer Aidan Delbis play conspiracy theorists (is that a job?) who kidnap Emma Stone's CEO, convinced that she is an alien intent on destroying Earth. Yorgos Lanthimos'
Marking Robert De Niro’s first foray into episodic streaming (unless you count the epic The Irishman), Netflix’s political mini-series Zero Day sees the legendary actor bring all his gravitas into
Yorgos Lanthimos is back, the director unleashing his second film in nine months with Kinds of Kindness. Bowing this year in Cannes, Kinds of Kindness caps a remarkable run for
… other than some wry moments and pretty images, and it leaves the experience feeling ultimately unsatisfying, hollow and indulgent.
After a slow start, the Cannes competition revved up in the second week, posing some tough choices for Greta Gerwig and her esteemed jury [Omar Sy, Lily Gladstone, J. A.
...a propulsively entertaining ride through the underbelly of America...











