...an affective horror whose subtext is the toxicity of internet culture and the side-effects of extreme political leanings.
Hagan Osborne
... somewhere between the lovechild of Monsters Inc (2001) and Inside Out (2015) only without the required emotional crescendo.
… an engrossing spectacle charged with playful action sequences and a humour that never feels inappropriate, particularly for the littlies in the room.


