Sydney based filmmaker Jonathan Ogilvie’s latest film, the semi biographical Head South, premiered as the opening night film at the International Film Festival Rotterdam [IFFR], where we spoke with the
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The set design and cinematography and editing are all excellent and the film has three or four memorable set pieces.
… an impeccably shot but ultimately misguided melodrama that once investigated past the sheen of the production falls into bathos over the pathos Mendes is desperately trying to inject in
Loie Fuller's life gets almost completely reworked for the screen in the handsome but wildly inaccurate The Dancer.