by FilmInk Staff

$20k awarded to writers of best new Australian scripts

Award-winning writer and creator Sam Meikle has taken home the 2026 John Hinde Award for Excellence in Science-Fiction Writing for his exciting pilot script Hypersomnia, on a night recognising excellence in up-and-coming scripts, science-fiction, and emerging writers hosted by the Australian Writers’ Guild.

Winners of the John Hinde Award for Excellence in Science-Fiction Writing and the AWG Emerging Writers’ Awards were presented in Melbourne to a packed room of senior writers, producers, industry and AWG members, who spent the evening mixing with the talented cohort of winning and shortlisted writers.

John Hinde Award for Excellence in Science-Fiction Writing

Sam Meikle received the Award in the unproduced category, with Hypersomnia described as ‘a story of first contact, alien infiltration, conquest and colonisation that hits us where we’re most vulnerable: in our sleep.’

The script was praised by judges as a well-crafted and grounded sci-fi that hooked them into its intriguing story world from the opening pages: “The writing was both sharp and evocative with great characterisations and a hooky plot that all showed the writer’s clear understanding of their YA audience. We were left not only wanting to read the next episode but hoping to see this story on screen in the future.

Writer and director Jeremy Brull took home the award in the Produced category for his sci-fi short film Self Love, in which an individual is forced to confront the trauma he buried long ago when his malfunctioning identical clone reverts to a fearful child, realizing that to save himself, he must first save the boy he once was.

The judges described Self Love as a genuinely original story: “We loved the premise and the writer delivers on it completely. The stakes are real, the relationships land, and it reads like someone in full command of their craft. This one will stay with you.”

The John Hinde Award, first presented in 2008, is funded by a bequest from the late film critic John Hinde. It was Hinde’s wish that future generations of Australian science-fiction screenwriters be nurtured through industry opportunities. Meikle and Brull will both receive $5,000, generously provided by the John Hinde Trust.

Emerging Writers’ Awards

Playwright Anna Lyon took home the Long Form award for her play Gravida Five, a tragicomedy in which a doctor presents her five pregnancies as a clinical case, using humour to impose order on loss – until her narrative begins to slip.

We were all incredibly impressed by this riotously funny, harrowing and heartrending monologue play about a doctor struggling with her own fertility. With its richly realised characters, emotional honesty and viscerality, this play made us laugh, wince and cry in equal measure. It unfurls with an elegant structure and sticks the landing with a devastating penultimate twist,” said the judging panel.

Patrick George received the Short Form award for his comedy adventure series Countrymen: ‘The year is 58 BC. General Julius Caesar wages constant war in an ambitious campaign to expand the glory and wealth of Rome. A campaign that could be disrupted by one idiot.’

The judging panel described Countrymen as delivering a fresh genre mix with a modern sense of humour. “Written with great wit and pace, the script deftly handles its setting, multiple characters and historical action sequences. Episode one was a fun ride from start to finish and set the scene for an entertaining, emotionally engaging TV series.

Lyon and George will now share in $10,000 in script development funding, generously provided by Scripted Ink as part of its ongoing commitment to supporting the growth of Australian writers and commercially viable projects.

The Emerging Writers’ Awards, previously the Monte Miller Awards, are an Australian Writers’ Guild tradition going back to the 1970s. Each year they recognise excellence in screenwriting and playwriting among the Guild’s Associate and Student members, celebrating the exciting future of Australian storytelling.

The winning and shortlisted projects in both competitions are now available to view on AWG’s prestigious Pathways Showcase, joining an outstanding collection of projects available for development.

JOHN HINDE AWARD FOR EXCELLENCE IN SCIENCE-FICTION WRITING

UNPRODUCED CATEGORY

Winner

Hypersomnia by Sam Meikle [Television]

Wake. Sleep. Subjugate. Repeat… Memories, dreams, and nightmares aren’t the only things that can come to you in your sleep.

Highly Commended

The Parenthood Test by Ryan Prestipino [Television] 

In a world where compulsory IUDs control overpopulation, a lesbian couple win a rare chance at becoming parents by participating in “The Parenthood Test”, subsequently becoming subjects of a national reality television show.

Shortlist

After the Lights Go Out by Matt Kazacos [Feature Film] 

In the wake of an apocalyptic power outage in a remote country town, PRU, a conflicted 17-year-old is forced to take on her missing father’s life mission; keeping their survival bunker (and supplies) secret from their increasingly desperate neighbours.

Lucky by Aaron Lucas and Mark Rogers [Feature Film]

When Guy, a permanently emerging filmmaker, casts a humanoid robot – Lucky – in the lead-role of his first feature, the desperate director must hide the true origins of his synthetic star to keep his reputation intact. But Lucky isn’t just a bad actor, he’s barely believable as a human. Guy’s film seems doomed, until he realises Lucky is a perfect mimic – the more Guy exposes the worst of himself, the better Lucky becomes.

PRODUCED CATEGORY

Winner

Self Love by Jeremy Brull [Short Film]

When his malfunctioning identical clone reverts to a fearful child, Travis is forced to confront the trauma he buried long ago, realizing that to save himself, he must first save the boy he once was.

Highly Commended

Cooee by Stuart Beedie, Toby Morris and Sam Burnett [Feature Film]

Small-town Australia, twenty years in the future. There’s no work, no hope – but a whole lot of aimless teenagers out to drive fast, hunt roos, get laid and escape into a virtual wonderland.

Shortlist

NCIS: Sydney: Season 3, Episode 6 ‘Sucker Punch’ by Fiona Kelly and Ella Cook [Television] 

The death of a US DARPA scientist takes NCIS: Sydney into the top-secret world of biohybrid insects and bioweapons, leaving two team members in a fight for their lives.

Zip and the Tiny Sprouts: ‘The Starship Wonder Tree’ by Peter Johnston, Breehn Burns and Jason Johnson [Children’s Television]

When Zip is suddenly stuck inside for the day, the Tiny Sprouts must use their creativity to bring the sun back out and save Zip from the brink of boredom.

EMERGING WRITERS’ AWARDS

SHORT FORM CATEGORY 

Winner
Countrymen by Patrick George [Television]

The year is 58 BC. General Julius Caesar wages constant war on the Celtic tribes of Gaul in an effort to expand the glory and wealth of Rome. A Rome that would become his empire.

Highly Commended
I’m Just Here to Make Friends by Diane Vu [Television] 
A charming social predator adopts a naive doormat as her new project, but as their friendship intensifies, secrets bubble to the surface, and it’s unclear who’s the predator… and who’s the project.

Poles by Millie Pitcher [Television]
Reeling from a break-up with her bff-turned-girlfriend, a directionless and mildly self-obsessed young woman snowploughs through her 20s while working as a stripper.

Shortlist

Flow Lands by Rebecca Ingram [Television]
When Australian detective Callie Fern finds a woman’s body in northern Scotland, the land itself tells her it was murder — and warns her another is coming.

What’s Between Your Legs by Kylie Aoibheann [Short Film] 
While recovering from gender-affirming surgery, a sexually frustrated trans woman gets one of her dilators trapped in her new vagina.

LONG FORM CATEGORY 

Winner

Gravida Five by Anna Lyon [Theatre]

A doctor presents her five pregnancies as a clinical case, using humour to impose order on loss – until her narrative begins to slip.

Highly Commended

Adonia by Marcus Khoudair and Veniamin Gialouris [Feature Film]

A solitary young man befriends his steroid dealer and discovers an audience online for their bodybuilding—but the more he chases fame, the further he drifts from his friends, family, and mortal reality.

Shortlist

Bad Taste by Jason Reed [Feature Film]

A struggling comedian discovers that he gets funnier when he accidentally ingests a piece of a promising young comic—now he has to decide how much he wants fame and what he’s willing to swallow.

Esperance by Robert Frantzeskos and Thomas Moody [Feature Film]

On the desolate and lawless frontier of the 19th century gold rush, two Irish miners are embroiled in a daring heist to avoid ruin. Together they must risk everything to escape both the law, and the harrowing, mythic vengeance that pursues them.

Mu-mma by Courtney Cavallaro [Theatre]

On a sweltering Christmas Day, a mother and her lesbian daughter fight to salvage both the roast and their bond — confronting love, legacy, and what it means to be a “real mother”

My Sister, The Wind by Ranima Montes [Feature Film]

Days before immigrating overseas, a duty-bound woman must smuggle her sister’s exhumed bones for her impulsive mother, uncovering a secret that threatens the future she’s promised her pregnant daughter.

Phenomenon by Charlie Clausen [Television] 

Amid a media frenzy, an ambitious journalist attempts to salvage his failing career by exposing a supposed haunting in Darwin, but his pursuit of the truth reveals the danger lies not in the unknown, but in humanity’s ruthless exploitation of one another.

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