by FIlmInk Staff

Record 180 applications deliver Bus Stop Films’ most diverse IPA cohort yet, with successful candidates to work across 21 films in all eight states and territories.

Bus Stop Films has announced the successful selection of 16 producer attachments and the nine producers and projects they will work with for its 2026 Inclusive Producers Attachment Program (IPA).

The selection follows a record 180 applications from across Australia, with 78 candidates progressing to interview.

The 2026 cohort producer attachments will work alongside Bus Stop’s COO/Head of Screen Dianna La Grassa and the nine selected producers, six of whom are IPA alumni, presenting a diverse mix of gender, cultural backgrounds and the Deaf/Disabled/Neurodiverse (DDN) community, to bring to life a slate of 21 inclusively produced short films across all 8 states.

The 2026 IPA cohort represents outstanding diversity representation, with 75% of successful applicants being female. Significantly, 44% of the cohort identify as LGBTQI+, 31% are from the Deaf/Disabled/Neurodiverse community, 13% identify as Aboriginal and/or Torres Strait Islander, and 6% are from a Culturally and Linguistically Diverse (CALD) backgrounds.

“I’m genuinely excited to get to know this year’s cohort of IPAs and producers and see what new ideas and skills they bring to our 2026 film collection. What keeps surprising me is the calibre of emerging producers who put their hand up each year, eager to build their understanding of inclusive filmmaking. 2026 is no different, and I’m thrilled to be working alongside so many talented producers as our IPA strategy continues to unearth talent across the country.” said Producer Dianna La Grassa.

The program represents strong industry collaboration, receiving generous support from all eight state and territory screen agencies – Screen NSW, Screen Queensland, VicScreen, Screen Tasmania, Screen Canberra, Screen Territory, Screenwest and the South Australian Film Corporation – together with significant additional investment from Bus Stop Films itself. This united support enables Bus Stop Films to deliver opportunities nationally, across its network of Accessible Filmmaking Program locations in every state and territory. A record 180 applications and 78 interviews reflect the incredible emerging talent ready to embrace inclusive filmmaking practices.

Bus Stop Films CEO Tracey Corbin-Matchett OAM said: “We’re grateful to all state screen agencies for their continued united demonstration of support for our work and impact. This program will deliver strong career development for all involved and build crucial capacity in our sector for skilled producers with deep knowledge of inclusion. It is more than a token strategy; it reflects our 17 years of supporting employment pathways in the arts and our vital role in the ecosystem of the Australian screen industry.”

The 2026 program builds on Bus Stop’s ongoing commitment to give back to the sector by supporting emerging talent and inclusive production practices. This year’s cohort of 25, the largest in the program’s history, reflects the growing appetite among producers nationally to build genuine skills in inclusive filmmaking.

The cohort will gain professional skills development in inclusive filmmaking by attending Bus Stop’s Inclusion in Action workshop and become part of a growing network of producers passionate about inclusive filmmaking. The program equips participants with skills in producing films inclusively, supporting people with disability on productions, and producing and marketing content through a lens of inclusion, diversity and accessibility.

Productions will take place across Bus Stop’s class locations in New South Wales (Sydney, Wollongong, Western Sydney, Blue Mountains and Coffs Harbour), Victoria (Melbourne), Queensland (Brisbane, Gold Coast and Cairns), South Australia (Adelaide), Western Australia (Perth), Australian Capital Territory (Canberra), Northern Territory (Darwin) and Tasmania (Hobart and Launceston).

The program reflects Bus Stop Films’ ongoing leadership in creating pathways for diverse talent while building industry capacity for inclusive production practices that benefit the entire screen sector.

About Bus Stop Films

Bus Stop Films is Australia’s leading inclusive filmmaking social enterprise, dedicated to creating opportunities for people with disability in the screen industry and championing inclusive filmmaking practices, creative community programs and DDN employment support.

Photo: Meret Hassanen, Producer 2026 program, IPA 2025 Alumni. Meret lives with Cerebral Palsy.

2026 IPA’s

 

LOCATION IPA’s 2026
NSW Nicola Denton
NSW Kelly Nicholson
NSW Suzanna Steele
NSW Ryan Whitworth-Jones
VIC Isabella Svojika
VIC Isabel Dilena
QLD – Brisbane Michelle Worthington
QLD – Brisbane Tahlia Stevenson
   

LOCATION IPA’s 2026
QLD – Gold Coast Kellie Baxter
QLD – Cairns Garth Edwards
SA Jasmin Watkins
WA Mayan Canes
ACT Ewan Rollings
NT Helena Gallagher
TAS – Launceston Tim Butcher
TAS – Hobart Anisha Mannock

2026 Producers

 

LOCATION Producer
NSW Producer Meret Hassanen
NSW Producer Hollie Meyer
NSW Producer Winona Cosford
QLD Producer Steph Dower
QLD Producer Axielle Doddridge
   

LOCATION Producer
VIC Producer Alisha Mehra
WA Producer Anastasia Lambetsos
ACT Producer James Olney
TAS Producer Sara Glaoua
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