Australia’s home for screen, New South Wales, will welcome the Australian International Documentary Conference (AIDC) in March 2027, with support from Screen NSW as the Principal Partner for the event.
It is with great sadness that WildBear Entertainment announces the untimely death of its trailblazing, talented and multi-award-winning colleague Bettina (Tina) Dalton. A much-loved and respected filmmaker, especially in the
Filming endangered turtles required camera’s 12K resolution and low light capability, delivering cinematic results. Blackmagic Design announce that Nature Seekers, a community based non profit organisation focused on fighting the
Collaborative editing and color grading workflow supported by Blackmagic Cloud. Blackmagic Design announced that the gripping documentary film “Life on Waves” was edited and color graded using DaVinci Resolve Studio. The
Western Australian documentary filmmaking is making its mark, with two Screenwest-supported feature documentaries part of this year’s prestigious Melbourne International Film Festival Premiere Fund lineup. This week, Jebediah: Are We
A heartfelt Western Australian documentary about a rowdy women’s swim-group has been selected to screen at CinefestOZ 2026. Wild Mermaids, directed by emerging Western Australian filmmaker Catherine Young and produced
AUSTRALIAN DOCUMENTARY ‘MOCKBUSTER' PULLS BACK THE CURTAIN ON THE CHAOTIC WORLD OF DIY FILMMAKING AND LANDS IN CINEMAS AUGUST 27 Umbrella will release Mockbuster in Australian cinemas on August 27.
War doesn’t always end when soldiers come home. The powerful new Australian documentary Invisible Injuries explores the unseen wounds carried long after service and will celebrate its World Premiere at
In the Currently Untitled Project From Magna Studios, Marsh Examines Aron Ralston’s Globally Recognised Story of Being Trapped in the Utah Canyons, Featuring Never-Before-Seen Footage Shot by Ralston During His
Four Australian feature documentaries have been selected to take part in Antenna Documentary Film Festival's 7th Rough Cut Lab. Supported by Screen NSW and Screen Australia, the two-day workshop is