… absorbing, comfortably above average and certainly no time waster.
Dominik Moll
When Thierry Fremaux announced the 2025 Cannes programme last month, he was aware that the festival had enjoyed huge successes in recent years, most notably in 2024 with Sean Baker’s
Moll’s film is not stylish, flattering, nor particularly visually engaging, but what it has in its favour is veracity.




