Monster Fest Presents The Most Controversial Film of 2026 'FUCK MY SON'

by FilmInk Staff

FROM DIRECTOR TODD ROHAL COMES ONE OF THE MOST DISGUSTING, DEPRAVED AND BEAUTIFULLY TWISTED FILMS OF 2026 AND WE’RE PUTTING IT ON THE BIG SCREEN APRIL 9

There are films that push boundaries… and then there are films that kick the doors in, set fire to the furniture, and dare you to stay seated as the flames of bad taste engulf the room.

Based on the unhinged underground comic by Johnny Ryan, FUCK MY SON! is exactly that kind of film …a gleefully offensive, no-holds-barred descent into pitch-black comedy and full-throttle horror that doesn’t just cross the line, it shits on it as it passes by.

Monster Fest is proud to announce strictly limited screenings across Australia, kicking off April 9. Too much for mainstream cinemas to handle, only a few carefully curated venues have what it takes to show a film like this. It will play for one or two weekends – at most! – then vanish forever – leaving nothing behind but the faint aroma of maternally mandated intercourse.

The film follows a desperate mother determined to give her poor son the one experience he can’t provide for himself. To accomplish this, she drags an unsuspecting stranger into a spiralling nightmare of absurdity, filth, and escalating insanity. Birds do it. Bees do it. And by God, her son will do it, too. What unfolds is a tour de force of filthy, gleeful chaos.

This is an R-rated cinema experience and absolutely not for the easily offended.

If you’re tired of safe, sanitised cinema and craving something truly transgressive this is your once in a lifetime opportunity to see something this joyfully disgusting with an audience.

“A masterclass in depravity… It takes a special kind of courage to create something this relentlessly vile.”
Preston Barta DALLAS OBSERVER

“A lean, mean, bold and bonkers horror comedy that’s unafraid to be crude, rude and lewd“
Avi Offer NYC MOVIE GURU

“A John Waters by way of GWAR nightmare that’s simultaneously hilarious, revolting and nihilistically committed to bad taste”
Louisa Moore SCREEN ZEALOTS

“What watching Pink Flamingos in the 1970s probably felt like.”
Dan Tabor CINAPSE