Two words: Shia LaBeouf. The idiosyncratic, and great, actor wrote and stars in this autobiographical story of a child actor with mental health issues and his hard-drinking father, played by LaBeouf. Superb cast also includes Lucas Hedges, Laura San Giacomo, FKA Twigs, Natasha Lyonne, Maika Monroe, Martin Starr, and Noah Jupe.
From the makers of Sausage Party, but don't hold that against them, here's the latest crack at the cult characters The Addams Family, which should be a financial bullseye if the box office for the Hotel Transylvania films is anything to go by.
Roger Avary (Killing Zoe, and one-time Tarantino collaborator) returns after more than a decade in the wilderness, with this bonkers looking throwback starring Australia's own Luke Bracey as 'Red', Nina Dobrev as Chloe and Crispin Glover as French (?!) psychopath, Luc.
Peter Jackson’s treatment of The Two Towers ‘Helms Deep’ battle looms large in this South Korean period action epic, loosely based around historical events from 625AD, during the Tang Dynasty when Chinese emperor Taizong was rolling across outlying nations unopposed. His armies attempted to annex the nation of Goguryeo, on the Korean peninsula.
In a version of the Thermopylae scenario (immortalised in Zack Snyder’s 300) where an outnumbered few stood against many, a rag-tag handful of crazy-brave warriors stand against Emperor Taizong (Park Sun-Woong) and his 200,000 strong army. The five thousand warriors take refuge within the walls of the Fortress of Ansi, commanded by Yang Manchun (Jo In-sung). The odds are not good.
While director Kim Kwang-sik goes for a fairly classical treatment of the material, there’s a good amount of creative liberty taken with the plot and execution. The story begins as a young officer named Samul (Nam Joo-hyuk) is despatched to the fortress of Ansi, where Commander Yang Manchun (Jo In-sung) has supposedly gone rogue and become disloyal to his lord, Yeon Gaesomun (played by Yu Oh-seong who starred in the recent South Korean film The Spy Gone North).
After spending time with Commander Yang Manchun, the young officer wrestles with his own loyalty to his orders and whether this man is a traitor or a well-loved leader of a large civilian populace and army. Once Emperor Taizong and his armies arrive, the testing of the people within the fortress begins and the young Samul sees real sacrifice and honour, first-hand.
Given the extensive battle sequences, it’s no surprise that their nimble execution is paramount. There’s a very stylised approach to the violence, including ye olde Zack Snyder-style ramping slow-mo effect (that 300 made famous) that ensures the audience can clearly see the jets of claret and slicing swords, something Kim Kwang-sik deploys with aplomb. CG aerial views and close-quarters combat meld with a visceral intensity that indulges in some CG enhanced bloodletting and hyper-stylised fight choreography that’s more than a little Manga inspired.
Overall, this rip-roaring battle epic has genuinely got the goods, with big emotions and accessible characters, while never descending into saccharine theatrics; it chugs along like a rollicking hybrid of Seven Samurai, 300 and Lord of the Rings: The Two Towers. Terrifically enjoyable.