It took much more than a simple audition to nab the lead role in Alastair Newton Brown’s Here Be Dragons.
Brian Cox’s Succession Plans
Succession may be finished, but the Scottish actor still has a lot to offer, including the lead in feature film Prisoner’s Daughter, opposite Kate Beckinsale.
Baz Luhrmann: Faraway so Close
If Baz Luhrmann may currently appear to be enchanted by Saudi Arabia’s deep pockets and shiny new filmmaking capabilities – especially while he serves as jury president at the Red Sea Film Festival – then he spoke exclusively to FilmInk to assure us that he has no plans of abandoning Australia.
Will Smith: How to Thrive in this Collective Potential Existential Tragedy
Almost two years since The Slap that was heard around the world, Smith emerged at the Red Sea International Film Festival with his sense of humour and faith in the future fully restored.
Maestro: Bradley Cooper’s True Passion Project
Ever since Santa Claus left a baton under a young Bradley Cooper’s Christmas tree, everything has led to the Leonard Bernstein biopic for the Oscar-nominated actor.
Paul Middleditch’s Anzac Uproar
The Kiwi-born, Australia-based filmmaker went back to his roots for his most successful film yet, Uproar.
Adrian Powers: Romance is in the Air
The Sydney filmmaker is on a roll with Love is in the Air trending worldwide on Netflix and A Royal in Paradise hitting cinema screens around Australia.
Painting in Pictures: WhaleX Marks the Spot
When Australian production company Painting in Pictures was approached by Elon Musk’s XPrize with a proposition to create a documentary for a Carbon Removal Challenge featuring the WhaleX team, filmmaking duo Kirsty B Carter and Joe Harrison were enthusiastic to get on board.
The Many Occupations of Paul Schrader
The veteran screenwriter/director returns with Master Gardener, starring Sigourney Weaver and Joel Edgerton.
Ken Loach – The Old Oak himself
The veteran leftwing British filmmaker behind such classics as Kes, My Name Is Joe and Sweet Sixteen, is back with The Old Oak.