The Kid Who Would be King
Louis Ashbourne Serkis, Dean Chaumoo, Tom Taylor, Rhianna Dorris, Angus Imrie, Patrick Stewart, Rebecca Ferguson
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…offers plenty of delights but doesn’t quite package them together in a way that is wholly satisfying…
With a nod to Rudyard Kipling, his own Attack the Block and the nostalgia of ‘80s Amblin movies (which infiltrates every other family film these days – made by filmmakers who grew up on a diet of Back to the Future and Goonies), writer/director Joe Cornish rewrites Arthurian legend in a kids’ film that offers plenty of delights but doesn’t quite package them together in a way that is wholly satisfying; hello 2 hours running time!
Alex (Louis Ashbourne Serkis – there are flashes where you think that Andy Serkis is doing more of his acclaimed mocap work due to characteristics inherited from dad) is a nerdy high school kid, living with his single mum, loving science experiments and hanging out with his bullied mate Bedders (Dean Chaumoo). When he is visited by a young Merlin (Imrie stealing every scene he is in; with Patrick Stewart playing the older, seemingly drunker version of the character) and realises that he is the only one that can raise Excalibur, it comes to pass that Alex has 5 days to save the world from Morgana (Rebecca Ferguson) by secretly traveling cross country, rallying the troops and winning the day!
The Kid Who Would be King actually starts with a hardly subtle rallying cry that the world is being taken over by dictators; you know, like BlacKkKlansman ended, but for kids…. However, this tangent doesn’t really go anywhere apart from setting up our hero’s journey. Maybe in the sequel Alex will take on Kim Jong-un, Putin and Trump; however, here it is an origin story of a boy in suburban London who discovers that he is heir to the Arthurian legend and literally rewrites the books in the process.
As per his previous film, Attack the Block, Joe Cornish locates the fantastic among the ordinary; in this case suburbia and public schooling with the supernatural/mythological. He casts widely, with all ethnicities and genders covered when it comes to diversity on screen. This results in humour, but unfortunately little wonderment.
Aesthetically, the introduction of magic – both light and dark – into the ordinary world is impressive, but dramatically, Cornish cannot make us care enough in our hero’s journey. For such a simple story, it is narratively too expansive, and at two hours length, it is always 30 minutes behind the audience’s natural pacing for such a tale. The villains are never genuinely threatening either, and there’s a key decapitation scene that plays out falsely, and hardly appropriate for the film’s target audience.
All of that being said, there will be kids in the audience who will find this original material new and exciting, they will relate to our young protagonists, and it will encourage them to read up about Arthurian legends. They may even end up making films in 20 years’ time inspired by seeing The Kid Who Would be King in their youth.