FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: Rayland Jensen, the founder of production company Sunn Classic Pictures, who
Director Annelise Hickey and producer Josie Baynes experienced something of a dream come true when their short film Stranger, Brother was accepted into The Sundance Film Festival. A regular at
In this regular column, we drag forgotten made-for-TV movies out of the vault and into the light. This week: Michael Mann's 1979 prison drama The Jericho Mile starring Peter Strauss.
In March 1971, Bryan Forbes resigned as head of production of EMI Films. Nat Cohen [pictured far left] had been making movies for EMI through his own unit, Anglo-EMI, so
Many of the actors starring in September 5 weren’t even born when the events surrounding the Munich Summer Olympics massacre of 1972 took place. Shining a poignant light on that
Looking back on the 25th anniversary of the seminal science-fiction feature The Matrix. Another huge component of The Matrix was the groundbreaking work done by the team at Sydney-based VFX
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: director Richard T. Heffron, who helmed Trackdown, Outlaw Blues and Futureworld.
After eight years as Director of Queer Screen’s annual Mardi Gras Film Festival, Lisa Rose will step down this year – and leave behind a legacy of LGBTQ+ storytelling on
Cinema is an art form, a collective experience where strangers come together to lose themselves in stories larger than life. But why settle for being just another faceless member of
Looking for Gold Coast's top dining spots? We've eaten our way through the coastal city's finest restaurants and know exactly where you should head. The sun-soaked streets lead to mind-blowing
If you’ve ever wanted to mix the excitement of gaming with the enticing world of adult entertainment, PC porn games are the perfect match for your fantasies. They blur the
In early 1969, Associated British was taken over by a bigger entertainment conglomerate EMI, run by Bernard Delfont. Since Associated British half-owned Cohen’s company, this meant that Cohen was now