FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: screenwriter Angelo Pizzo, who penned Hoosiers and Rudy.
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: screenwriting duo John & Joyce Corrington, who penned Boxcar Bertha and The Omega Man.
With the release of the outback shocker The Royal Hotel this week, we revisit our interview with director Ted Kotcheff about his similarly themed 1971 cult classic Wake In Fright.
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: screenwriter Robert Dillon, who penned Prime Cut and The French Connection II.
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: screenwriter Irene Kamp, who penned The Beguiled and Paris Blue.
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: screenwriter Albert Maltz, who penned Broken Arrow and Pride Of The Marines.
As his revered and unrivalled Talking Heads concert film Stop Making Sense returns to the big screen, we hit rewind on the incredible career of the late, and truly great Jonathan Demme.
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: screenwriter Nancy Dowd, who penned Slap Shot and Ladies And Gentlemen, The Fabulous Stains.
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: screenwriter Barry Michael Cooper, who penned New Jack City and Above The Rim.
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: screenwriter Gladys Hill, who adapted The Man Who Would Be King and Reflections In A Golden Eye.