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Geoffrey Rush Joins Tropfest

Geoffrey Rush Joins Tropfest

The acclaimed actor and newly-crowned Australian of the Year, Geoffrey Rush, will be a key player in 2012’s Tropfest activities.

Naomi Watts To Play Princess Diana

The Aussie actress is set to play the people’s princess in an upcoming film that chronicles the final two years of Diana’s life.

Sullivan Stapleton Signs On To ‘300’ Prequel

The Aussie actor has beat out the competition to land a role in the upcoming blockbuster.

James Cameron Loses Long Time Australian Collaborators

Producer Andrew Wight and cinematographer Mike deGruy lose their lives in a helicopter crash.

latest features

Air Jordan

Air Jordan

Michael B. Jordan is flying high on the recent success of found footage/super-powered action thriller Chronicle. He took some time out to chat with FilmInk about the adventure so far.

Creative Excess

Triple threat actress/writer/director Anya Beyersdorf stars in the provocative new film ‘Black and White and Sex’ and has a handful of other artistic pursuits on the horizon.

Cruise Control

Director Rob Sitch and actors Josh Lawson and Christian Clark give us the lowdown on ‘Any Questions For Ben?’, a comedy about those with everything – except the things that matter...

The Bit In Between

Actor Ryan Johnson gives us the lowdown on his web series ‘One Step Closer To Home’ which hilariously follows two newlyweds wondering, ‘What comes next?’

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Reviews Archive (film)

The Vow

A saccharine and paint-by-numbers slice of romance, which is largely boosted by the appeal of its two leads.

Star Wars: Episode 1 - The Phantom Menace (3D)

The under-utilised 3D adds little to this prequel, which only serves as a sore reminder of the brilliance of the original films.

Any Questions For Ben?

The talented bunch of actors ably cut through the surface gloss, but it’s tough to remain invested in the plight of the self-absorbed lead.

Shame

It starts off as brutal but arresting stuff, and the two lead performances are scorching, but disappointingly dissolves into a case of tragedy for the sake of tragedy.

Chronicle

Let down by its illogical “found footage” approach, this remains an impressively compelling ride, which has more in line with classic storytelling than current fads.

Man On A Ledge

While Worthington doesn’t quite match the talent of his top-notch co-stars, this admittedly implausible but impressively dynamic thriller is exciting stuff.

The Artist

Beautifully made, surprisingly fresh, and there’s no denying its charm, but ultimately, it’s a slight case of style over substance.

Martha Marcy May Marlene

Driven by Elizabeth Olsen’s mesmerising lead performance, this languid and unsettling story buries deep into your mind

Underworld Awakening

The return of Kate Beckinsale and the cracking serve of action should keep fans satisfied, but the visual effects leave a lot to be desired.

J. Edgar

Despite a brilliant performance by Leonardo DiCaprio, this unfocused biopic strangely, and disappointingly, steers clear of the controversy.

A Few Best Men

A crass but highly entertaining Aussie comedy that scores a generous share of knockout laughs.

Weekend

Never feeling weighed down by all the “issues” it touches, this ends up a challenging but humane and deeply resonant look into modern sexuality.

The Darkest Hour

Despite its grand setting on the streets of Moscow, this sci-fi thriller fails to ignite due to its poorly drawn characters, lack of suspense and dull direction.

Journey 2: The Mysterious Island

The laughs and flashy set pieces are barely enough to disguise the derivative and charm-free script, but thankfully the performances are mostly uh, Rock solid.

Tinker Tailor Soldier Spy

A classy, moody suspense thriller, packed with just the right level of intrigue and nostalgia.

Young Adult

A darkly comic, brutally honest and superbly performed look at Gen X’s slacker attitude and refusal to grow up.

The Girl With The Dragon Tattoo

David Fincher once again proves his flair behind the camera and it’s gripping storytelling, but is it an unnecessary and too hasty a remake?

The Descendants

Boasting brilliant performances and Alexander Payne’s dry, perceptive but always humane directorial touch, this gem of a film is likely to end up one of the year’s best.

The Muppets

It’s not perfect, but it’s a pretty irresistible trip down memory lane, which offers up charm, wit and nostalgic joy in spades.

Hugo

Definitely not the most ambitious film of Scorsese’s career, but the storytelling is warm and funny, and this deserves credit for its impressive technical achievement.