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Packed with atmosphere, this old-fashioned but deftly told ghost story delivers ample chills and thrills.

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We Have A Pope (Film)

by Kate Quirk | November 28, 2011 16:33 | Edited November 28, 2011 16:34

With clarity and surprising humour, this provides fascinating insight into the usually closed world of the Vatican.

We Have A Pope is the latest work from acclaimed Italian filmmaker, Nanni Moretti (Il Caimano, The Son's Room, Caro Diario). In an unusual twist, it offers a behind the scenes look into the ancient traditions that are implemented when electing a new Pope. After a tense day of voting, the chosen one is revealed to be French Cardinal, Melville (Michel Piccoli), but upon hearing the news that he is to be the future pontiff, Melville becomes completely overwhelmed with anxiety, breaks down, and all traces of his memory instantly vanish. The crowds of people and worldwide press are left waiting to hear the news as The Vatican is in a massive state of turmoil. In their desperation, they call upon the help of a psychoanalyst (played by Moretti himself) to get Melville back on track.

 

Hilarious scenes follow, with the psychoanalyst attempting to analyse the future Pope's childhood traumas with all the Cardinals from around the world listening in to his every word. Finally, Melville manages to escape The Vatican for a few days to see how the real world emerges before him.

 

Beautifully directed by Moretti, We Have A Pope portrays with wonderful clarity an insight into the previously closed world of The Vatican. The tender portrayal by Piccoli gives the film a lovely warmth and depth. With just the slightest look in his eyes, he can convey a ton of emotion, and there's not a false note in his entire performance. Moretti brings a wonderful energy to his scenes, particularly when he gets the Cardinals to compete in a volleyball contest. We Have A Pope is a humorous mix of comedy and tragedy, and a fascinating look into what appears to be a staid, old world, but that soon reveals itself to be so much more.