Film reviews
Men In Black 3
It’s not a sequel that needed to be made, but thanks to the charm of its leads and a tone that harks back to the wit and humour of the original, it’s a pretty enjoyable trip.
Bel Ami
The excellent female support cast saves this patchy effort, which is let down by its leading man and a flat screenplay.
The Dictator
A disappointing, often repulsive and mean-spirited mess of a film with seemingly only one real criterion on its agenda: to shock and offend.
The Woman In Black
Packed with atmosphere, this old-fashioned but deftly told ghost story delivers ample chills and thrills.
Viva Riva! (Film)
Rating: MA
Running Time: 98
Country: France, Belgium, Democratic Republic of Congo
Director: Djo Munga
Cast: Patsha Bay, Manie Malone
Distributor: Rialto
Release Date: October 13, 2011
Film Worth: $13.00
FILMINK rates movies out of $20 - the score indicates the amount we believe a ticket to the movie to be worthThe thrills often feel too few and far between, but it’s packed with atmosphere and a rich sense of place.

Writer/director Djo Munga's highly stylised crime thriller, Viva Riva!, is a brutal exploration of the rarely glimpsed criminal underworld of The Congo. Riva (Patsha Bay) is a cunning but intelligent con man who stumbles upon the chance of a lifetime when he discovers a secret pile of gasoline. With fuel as rare as gold, Riva knows that he can move the shipment for a lucrative price, but unfortunately the fearsome local crime lord, Azor (Diplome Amekindra), is also looking to profit from the petrol. To make matters worse, Riva begins to lust after Azor's desirable but neglected mistress, Nora (Manie Malone), a move that only adds to the tension of his nail-biting quest to sell the gasoline.
If there's one thing that Munga achieves well in Viva Riva!, it's atmosphere. The Congo is not often featured as a cinematic backdrop and if it is, the culture of the place is rarely well embodied. The director deserves plaudits for not shying away from taking the audience on a highly visual journey through this confronting world, with locations that are both rich in character and fascinating to behold.
The film's main flaws, however, come courtesy of Munga's screenplay. While the plot itself is rather cliched, this could be forgiven if the film had managed to deliver the thrills that it should have, given its premise. Unfortunately, the narrative unfolds in a way that often makes it hard to maintain interest, and consistently reminds you of the fact that you've seen this story before. This aside, the film's high production values are unmistakable, with the intoxicating cinematography enriching Munga's dark vision, and an array of top-notch performances elevating the film above more standard crime fare.



