Australia's Best Movie Magazine

Film reviews

Tomorrow When The War Began

While the action fares slightly better than character development; this absorbing blockbuster deserves to be a hit.

Furry Vengeance

Full of clunky CGI and uninspired performances, this film is completely devoid of humour and heart.

Going The Distance

While occasionally opting for cheap laughs, this romantic comedy is entertaining, warm and feels surprisingly rooted in real life.

The Kids Are All Right

Driven by excellent performances, this entertaining film provides a fresh view of modern family life.

search the site

Enter search term:

newsletter

Enter your email address below to receive the weekly Filmink newsletter

Enter search term:

Once Upon A Time In The West (Film)

by Trent Griffiths | November 17, 2009 14:32 | Edited November 17, 2009 14:34

This remastered print reiterates all of the near-perfect elements of this influential classic.

Once Upon A Time In The West is epic in every possible sense. It's epic in ways that James Cameron has fitful, jealous dreams about. The shootings are spectacular, the women are lusty, the good folk are scoundrels, and the scoundrels come out in front. Befitting Dario Argento and Bernardo Bertolucci's mythic story, a dazzling new 35mm print with remastered Dolby sound is playing for two weeks at The Astor Cinema in Melbourne.

 

Directed in 1968 by the legendary Sergio Leone, the film's influence resonates in everything from Star Wars to No Country For Old Men and Inglourious Basterds, and it is still scorchingly brilliant. Henry Fonda clearly revels in his role as the ruthlessly ambitious gun-slinging villain, playing beautifully off Charles Bronson's unnervingly inscrutable harmonica-playing drifter. Jason Robards injects vibrant mischief in each of his scenes, and Claudia Cardinale is just gritty enough for you to forgive her improbable beauty.

 

The sound design is an audiophile's wet dream, masterfully hovering on the edge of consciousness and pressing on your emotions without breaking through to be distracting: the heavy sigh of the rail carriage; the pistol crack slap of a hand on a cheek; silence scything through the chirp of cicadas. Every hum and rattle is measured, and that care pays off in a truly extraordinary aural immersion.

 

And the score! Composer Ennio Morricone inexplicably didn't win any major awards for his haunting work, but it is rightly regarded as one of the most effective uses of music in film history. In this remastered digital mix, it really does cut to the bone.

 

The Panavision print is stunning, with lively colours, deep shadows and the crystal clear contrast. And although the two-storey-high screen unfortunately emphasises some shoddy re-recorded dubbing, it's likely that you'll never have a more complete overall film experience.