Creative Collaboration

With the launch of the global screenplay competition, Four Stories, FilmInk canvasses some savvy advice from Optus One80 winner and “Bondi Hipster” Christiaan Van Vuuren.

news image d194d9ba8b730ca78abf.jpg

In the last few years, there’s no question that the changing media landscape has compelled brands to rethink the way they position themselves. With the flood of content now vying for people’s attention, it’s no longer sufficient to present one-note, didactic advertisements. Zeroing in on this savvy new way of thinking is the global screenplay competition, Four Stories, which hooks up forward-thinking brands with filmmaking talent.

Launched by Intel Corporation and W Hotels worldwide, the competition asks aspiring screenwriters and directors to submit an original screenplay inspired by the highly mobile 24/7 nature of travel with the only criterion being that the scripts must be set in a W Hotel and feature the Intel-inspired Ultrabook. And this is one competition that comes with a swag of cred attached with the three winning scripts – selected from a board that includes director Roman Coppola and actors Michael Pitt and Chloe Sevigny – to be developed and transformed by Coppola and The Directors Bureau into ten-minute shorts, which will premiere at red carpet events at W Hotels around the world.

It’s a pretty epic prize, but according to filmmaker and actor, Christiaan Van Vuuren, it all comes down to a great initial idea. And if anyone’s in a position to hand out advice re winning ideas, it would have to be this young man who took out 2011’s Optus ONE80 Project with his winning pitch for an MTV pilot based on his own story of being quarantined in hospital. Since then, Van Vuuren has found popularity producing and starring in the hilarious web series, Bondi Hipsters, which was originally conceived as an idea for Movie Extra Webfest. So what’s Van Vuuren’s advice in entering this type of competition?  “Don't let the brand, product or signature item control your idea,” he suggests. “I would probably suggest not even factoring it in when you are brainstorming your entry. Come up with a strong idea first, and then once you've got yourself a winner, think about how you can work in the brand in a way that allows for the least possible distraction from your story or core idea.”

Interestingly, Van Vuuren notes that there remains stigma surrounding “branded entertainment”, but he attributes this to brands having too much control over the creative process. But it’s competitions like these – where the creative vision and decisions remain very much in the hands of artistic talent – that are helping to erase these kinds of negative perceptions. “Brands continue to stick their noses into scripts and ideas for what they think will be best for the brand,” Van Vuuren laments. “But what they still don't realise is that what's best for the brand, is normally no good for the "entertainment" factor of what they are involved in creating. Even slight tweaks to an idea can remove the energy of a scene, or flatten the concept of a piece of creative material – taking something that was great, and turning it into something that's okay. And entertainment that is "okay" just gets lost.”

And at the end of day, making something “great” and that can be used as a calling card is a primary incentive for applicants. As well as potentially showcasing your work on the world stage, competitions like these offer personally rewarding opportunities to develop and refine your own skill set. “They are a great way to be connected to other creators, a great way for you to make a name for yourself in the industry, and a great way for you to learn in the process of actually creating,” Van Vuuren says of these competitions. “Sometimes all an idea needs is a deadline to get it off the ground. If you are a really passionate creator, you will always think that a script needs more time, but when you have a deadline, things just have a way of coming together...”

Picture caption: Van Vuuren as a Bondi Hipster.

For more information or to submit a screenplay for Four Stories, head here.


comments powered by Disqus
follow us on twitter
like us on facebook

latest issue

Filmink latest issue

latest features

Reading Between The Lines

FilmInk speaks to co-stars, Julianne Moore and Michael Angarano, about the indie comedy, ‘The English Teacher’ which sees a teacher and student step outside their comfort zone.

Family Portrait

FilmInk’s Danny Peary speaks to the co-directors behind the intimate doco ‘The Genius of Marian’, which explores the tragedy of Alzheimer’s disease via a family lens.

Defying the Odds

Australian actor Grant Bowler has stepped into a whole new world, headlining the ambitious sci-fi series, ‘Defiance’, which has been boldly adapted from a video game

Childhood Trauma

FilmInk speaks to the writer/director and two young stars behind the haunting coming of age drama, ‘Hide Your Smiling Faces’, one of the most warmly received films to emerge from this year’s Tribeca Film Festival

latest reviews

The Hangover Part 3
The Hangover Part 3

The whole gang returns for what rates as a highly disappointing (alleged) conclusion to what had previously been a truly great comic franchise.

Dead Man Down
Dead Man Down

It has all the makings of a terrific edgy thriller, but sadly never manages to break free of its derivative Hollywood template.

The Reluctant Fundamentalist
The Reluctant Fundamentalist

Expertly adapted from its source material, this is a powerful, provocative and humane look at post 9/11 politics.

Chabrol: Collection
Chabrol: Collection

"This Box Set includes four films from his golden period in the late 1960s to early 1970s."