You love ’em, he hates ’em! The Butcher carves up your favourite films, and this week, he applies his sharpened cleaver to Christopher Nolan’s billion-dollar-making 2026 Greek mythological epic The
Picture a Friday night in a lounge room somewhere in Melbourne. The good bottle of red is open, the couch has been claimed, and someone finally settles on a rewatch
There’s certainly a lot of hype swirling around this year’s release of Avengers: Doomsday (there’s even a ticking clock!), but will this latest superhero-jammed MCU extravaganza be able to replicate
Iconic films like Scorsese’s Casino or the sleek Ocean’s Eleven series have hardwired a specific visual code into our minds: marble columns, crystal chandeliers, and the thick atmosphere of a
It’s midway through the 2026 Cannes Film Festival when FilmInk meets Japanese filmmaker Hirokazu Kore-eda. The festival has been good to him in the past; he won the Jury prize
Picking up the Audience Award at SXSW Sydney, writer/director/producer Sam Hayes’ debut Pools is the cinematic equivalent of taking a refreshing dip on a sweltering summer day. And meeting Hayes
A few years ago, setting up a laptop at the dining table or working off the couch felt like a reasonable short-term fix. Fast forward to now, and hybrid work
For years, cloud gaming was the technology that was always about to change everything, and never quite did, at least not here. Overseas, players were streaming blockbusters to their phones
After what felt like a perfect Season 3 ending, Ted Lasso is back for a fourth outing. When S3 wrapped in 2023, many fans believed it was the end of
In a matter of weeks, Australia will host its first-ever NFL regular-season game. The game, between the LA Rams and San Francisco 49ers in Melbourne, will get underway on the
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: director Lynne Littman, who helmed Testament, Freak City, Having Our Say and more.
Movie night at home rarely matches the cinema, and it's usually not the film's fault. A washed-out picture, flat audio, or a buffering wheel appearing at the wrong moment can
